{"id":273,"date":"2019-03-12T16:10:03","date_gmt":"2019-03-12T20:10:03","guid":{"rendered":"https:\/\/entangledworlds.utoronto.ca\/?page_id=273"},"modified":"2019-03-22T15:40:48","modified_gmt":"2019-03-22T19:40:48","slug":"connie-gagliardi","status":"publish","type":"page","link":"https:\/\/entangledworlds.utoronto.ca\/index.php\/connie-gagliardi\/","title":{"rendered":"Connie Gagliardi"},"content":{"rendered":"<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/entangledworlds.utoronto.ca\/wp-content\/uploads\/2019\/03\/koni.png\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-272 size-medium\" src=\"https:\/\/entangledworlds.utoronto.ca\/wp-content\/uploads\/2019\/03\/koni-300x281.png\" alt=\"\" width=\"300\" height=\"281\" srcset=\"https:\/\/entangledworlds.utoronto.ca\/wp-content\/uploads\/2019\/03\/koni-300x281.png 300w, https:\/\/entangledworlds.utoronto.ca\/wp-content\/uploads\/2019\/03\/koni-768x720.png 768w, https:\/\/entangledworlds.utoronto.ca\/wp-content\/uploads\/2019\/03\/koni-1024x961.png 1024w, https:\/\/entangledworlds.utoronto.ca\/wp-content\/uploads\/2019\/03\/koni.png 1162w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Connie Gagliardi<\/strong>\u00a0is the Project Assistant of this Connaught Global Challenge Initiative. She is a PhD candidate of Anthropology and Jewish Studies. Her research explores the production and politics of neo-Byzantine iconography and its resurgence amongst Christians in Palestine and Israel.\u00a0By looking at the production of icons, her research aims to understand Christian experience and religious and cultural transformations within the fraught and contested terrain of the Holy Land.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; Connie Gagliardi\u00a0is the Project Assistant of this Connaught Global Challenge Initiative. She is a PhD candidate of Anthropology and Jewish Studies. Her research explores the production and politics of neo-Byzantine iconography and its resurgence amongst Christians in Palestine and Israel.\u00a0By looking at the production of icons, her research [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"class_list":{"0":"post-273","1":"page","2":"type-page","3":"status-publish","5":"entry"},"_links":{"self":[{"href":"https:\/\/entangledworlds.utoronto.ca\/index.php\/wp-json\/wp\/v2\/pages\/273","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/entangledworlds.utoronto.ca\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/entangledworlds.utoronto.ca\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/entangledworlds.utoronto.ca\/index.php\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/entangledworlds.utoronto.ca\/index.php\/wp-json\/wp\/v2\/comments?post=273"}],"version-history":[{"count":6,"href":"https:\/\/entangledworlds.utoronto.ca\/index.php\/wp-json\/wp\/v2\/pages\/273\/revisions"}],"predecessor-version":[{"id":719,"href":"https:\/\/entangledworlds.utoronto.ca\/index.php\/wp-json\/wp\/v2\/pages\/273\/revisions\/719"}],"wp:attachment":[{"href":"https:\/\/entangledworlds.utoronto.ca\/index.php\/wp-json\/wp\/v2\/media?parent=273"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}