Christina E. Pasqua is a PhD Candidate in the Department for the Study of Religion and the Book History and Print Culture program at the University of Toronto. Her dissertation explores the politics of Bible translation, particularly how Christian publishing companies in North America have embraced the semiotic codes and conventions of the comic book industry to disseminate the Bible as a visual text. Visual theory and cultural production are not only central to Christina’s dissertation research, but also forms of practice that she has engaged with in various ways, such as: the creation of a digital story for the Kiinawin Kawindomowin Story Nations project based on visual ethnographic methods and documentation (e.g., photography and photo essays), graphic design work on WordPress and event posters, watercolour painting, and comic book making. This creative labour is connected to her growing interest in translating her research into popular, arts-based media for wider audiences that better reflects how she herself is a visual learner, thinker, and educator.